Klint / CUT, Experimental Print Club Edition #9
Spent a good day yesterday working on the 9th edition for my Experimental Print Club. I’ve been making 3 or 4 smaller ephemeral works on paper each year for the club, as a kind of loosening up idea, with the intention of trying out new ideas that may feedback into my main practice, whilst simultaneously creating some hopefully quite collectable smaller works that go out to club members in the post. It’s a nice concept that coerces me to make some new smaller works each year.
EPC edition 9, Klint / cut
I’m just on the brink of making Edition 9 for the print club. The autumn edition for 2018. Having told you that I'm planning to make a piece on silk, and a ‘mantle piece’ in my last post (I’m still intent on making both of these) I’ve been somewhat waylaid by an interesting colour proof print experiment, which I think will make a good new edition to colour up the autumn. Time will tell. In essence it’s a kind of collage from some proofs of my Klint prints, mixed with some foil fragments, collaged onto a sheet of Somerset paper, by way of a backing sheet, with debossing. That's the plan anyway, I'll send some progress images shortly…
Surface3 vs Beautiful Crime
As the art world becomes more and more synergised with the digital age and all the technology that comes with it, artists are increasingly exploring the possibilities of meshing art with technology.
This exhibition, featuring 101 unique artworks, has given the artists we work with a fantastic opportunity to illuminate the Surface 3's ability to combine creativity, art and technology on the go, in ways they hadn't explored before.
Liam West and Ruthie Holloway, Beautiful Crime
Klint / reDux / A new series of work for the Beautiful Crime vs Microsoft Surface 3 exhibition
For the Surface 3 vs Beautiful Crime show, I've been riffing on a new idea, that combines the ghost of a previous study, Vortura, with my love of Japanese paper folding, notably the crane, digital print making, and the classic designs of the Le Klint studio, a widely celebrated lighting design company, who perfectly combined those two most critical of materials, light and geometry, from 1943 onwards.